Calling Boston-area artists, illustrators, and designers!

2008_Greenway_Boston_2739303146

 

If you could get the people of Boston to stop on The Greenway for a moment and DRAW, how would you do it? The Greenway invites you to submit an idea, challenge, or prompt for a new program called DRAW that will inspire Greenway visitors to sit down together and draw along our 1.5 mile park system!
To participate, please send the following to Kait Levesque (klevesque@rfkgc.org):

  • A few sentences suggesting simple steps Greenway visitors can take to make a drawing, ideally inspired by some aspect of your own practice, The Greenway, or Boston;
  • One or two images (JPG, etc, suitable for printing 5” x 5”)
  • A very short sentence describing who you are and (optional) how the activity might relate to you/your work.

We’ll put these ideas on large rolodex-style cards and attach them to our drawing boards, available wherever the Uni pops up.

Out on the street, we’ll provide people with pencils, charcoal, paper, and other drawing tools. Staff and volunteers will be on hand to facilitate, but your ideas will provide the inspiration to get people started.

The Uni DRAW cart is a new part of The Greenway’s Play programming. Designed and built by The Uni Project, NYC, the cart will pop up in our many parks serving neighbors, commuters, and especially, our youth visitors from areas around Boston. We are dedicated to engaging our visitors in the beauty and fun of The Greenway and Boston. Your contribution will mean a great deal to the people we meet. Thanks for helping us create an oasis for drawing on The Greenway.

We are unable to respond to all entries. You will receive a reply only if your prompt is chosen.

Thank you,

Katherine Levesque
Play Coordinator
Rose Kennedy Greenway Conservancy
185 Kneeland Street
Boston, MA 02111

Gallery Show Reflections

  1. Show Reflection

I see progress and perseverance in my own body of work. It has been a very difficult semester but despite that I still managed to create and that means the world to me. Usually in difficult times I feel too emotionally drained but this time the illustrations got me through it. This marks a huge change in my relationship with my work and I hope that it continues this way. Seeing all of my work arranged together was gratifying and wonderful. I was able to see my style carried through all 14 pieces plus the portfolio of portraits on the ipad. The work I chose for the show represents my time here at FSU and the progress I have made here as an artist. I can see how my professors have influenced my work and how they have taught me to self critique. For me personally it represents my ability to turn the pain I feel every day and my mental illness into something beautiful instead of something dark. I am reminded of a quote from Doctor Who, “Pain is easy to portray, but to use your passion and pain to portray the ecstasy and joy and magnificence of our world, no one had ever done it before.” This was said about Vincent van Gogh and how he turned his torment of mental illness into beautiful, colorful life. I think having this ability is special and I am very thankful for it. I have come very far from when I first started here, but know I will always be learning and experimenting with my artwork.  

Putting together a gallery show was very daunting for me because I have a hard time working in groups. I enjoyed arranging my own work into a layout which I think worked well. I was especially lucky to have my mum’s help in setting up as I was very sick at the time. I also enjoyed incorporating real flowers and the ipad into the show. I think this experience helped me to look at different aspects of my artwork and compare them. I had never placed my botanical drawing next to my travel or hat poster. Being able to see them side by side I was able to track my progress and see my personal style emerge.

This process has made me more confident in my work and has inspired me to apply for different gallery opportunities as well as specific projects.

  1. I am applying to the Spring Art Festival through the Art and Frame Emporium this year.
  2. I will be applying to the many galleries in Northampton this Summer. Aside from getting my work out there I would really like to learn more about gallery layout and design.
  3. I will be making a book out of my botanical illustrations and a deck of cards for transportable plant identification.
  4. I plan on looking into grant programs for botanical illustration when the semester ends.

2.)  Descriptions of my individual projects

 

  1. The Hat Manufacturer’s Convention

Hat Poster colored.jpg

Giving the atmosphere of a tea stained Victorian advertisement I have used tones of brown and deep reds. Sweeping like wild vines the lines twists and grow framing each section. A woman looks serenely over Saint Basil’s Cathedral, painfully recreated in immense detail. She wears a traditional Russian headdress made from soft green moss like velvet.

  1. Maori Culture- The Ferns of New Zealand

A Maori woman stands in an iconic pose her back to us and her face turned just enough to look up dreamily. She wears detailed, beaded traditional dress with reds offsetting the black and white. She holds an unfurling fern in her hand, seemingly offering it. Two giant ferns sweep upwards and curl in towards the woman framing her in deep forest green. Below her a Maori boat frames “Maori Culture” with detailed carvings. The tops corners depict different boat oar carvings in detail splayed in a fan like gesture. Carvings from Maori temples frame the title.  

  1. Botanical Lines

There are 10 flowers depicted. The botanical illustrations define the detail in the delicate petals, giving new life to the natural textures. I used black and white to further emphasize the details.The lines curve around the forms just as ridges in petals do. In the originals the lines can be felt, slightly carved into the paper by quill nibs. I attempted to create a sense of a scientific display by using 9×9 inch squares with the flowers centered and used the botanical binomial scientific name for each plant.    

  1. Luna Moths

Intricately detailed lines create a scientific atmosphere for viewing the insects. The moths are colored with soft fuzzy greens and pale red giving them an ephemeral air. The float in their squares silently. Their colors offset the black and white of the botanical illustrations that they sit next to in the display allowing the viewers eyes to circle back to the other colored items displayed.    

  1. Faces Among the Flowers

Carefully illustrated portraits of important women in my life surrounded by their favorite plants and flowers. Each piece is drawn from a picture of the subject in which they felt beautiful. Having these reference pictures were a very important part of the work, I needed the subjects to not be fully aware that they were being photographed so they would be themselves truly and without the context of other people’s thoughts.
3.) Images of my work

http://allisonkittredge.wix.com/illustration- Online Portfolio

My Gallery Layout

F R E E g o o d s !

I’m hoping the title grabbed your attention 😉

I have recently discovered the site Creative Market! “free is for me!”

It is a great site for two reasons: free stuff (on a weekly basis, the rest are items to purchase) and the ability to offer some of your own makings to the world!

It seems like each week there is a free item from each category: type, illustrator brushes, clipart, and some other handmade items that have been scanned in to use digitally. I thought of Emily Cromwell’s tutorial on the gouache illustrator brushes and figured I would let everyone know about this resource for free brush potential each week! Enjoy!

Check it out!  c r e a t i v e  m a r k e t